ACT THREE
The same setting. Wife and
Village Woman enter. Both of
them have picks in their
hands.
WIFE : I hope he isn't awake yet. (To Village
Woman) I've just come home
myself. (She goes into the room.
Brings out her baby. She
sits out in the yard and
gives him her breast.)
VILLAGE WOMAN : (Looking into the baby's
face.) Such a gentle baby!
(Sits down plump on the ground.) Whew! Year in, year out,
none of these years have been without a disaster. We had plenty
of snow last winter. So I expected a good harvest the next fall.
But all of sudden, what's this all about? Out of the blue, this
winged horse or something appeared. And because of this creature,
what are they doing? All our husbands are up there in the mounntain
looking for the creature. When are they ever going to manage
all that work -- plowing, sowing, and all the other things they
have to do. I doubt whether we can ever make it before the season's
over. What is worse is that for the last ten days those soliders
have been plundering our food -- grain, chickens, acorns, or
whatever we have. Far from capturing a horse or anything, they
are going to starve us to death.
WIFE : What about your chicken?
VILLAGE WOMAN : Which one?
WIFE : I mean your rooster.
VILLAGE WOMAN : Well, I said, which one, didn't I?
WIFE : Do you have more than one?
VILLAGE WOMAN : Which one do you mean? I have two. One is
a chicken and
the other is my worse half.
WIFE : Come on! Stop it!
VILLAGE WOMAN : The chicken rooster was taken three days
ago. I'm sure
he is sitting in peace inside those soldiers' fat bellies
by now. And the human rooster is still up on the mountain, if
that's what you mean.
WIFE : My husband dropped by briefly yesterday.
VILLAGE WOMAN : What did he say? Did he say that they are
going to live up
there until summer? Or are they going to foal a winged horse?
WIFE : He said they might come down sometime today.
VILLAGE WOMAN : Really? You mean they are going to give up
at last after
all that fuss they've been making?
WIFE : Well, you must have heard about it. They were unable
to capture
the winged horse.
VILLAGE WOMAN : That's what I heard. I heard that they didn't
even have
a glimpse of it. They hear the horse in one valley. So they
run down over there. But by the time they get there, it's already
gone to another valley. Pretty soon, they hear the horse in
the next valley. It's been like that for all those days they've
been out there. It's as if they were possessed by a demon. The
soldiers are taking their anger out on us poor people as if
it were our fault. For the last couple of days, they've been
doing nothing but drinking wine and eating chickens and cakes
day and night. Whenever they hear a horse, they send our men
out instead.
WIFE : Heavens help us!
VILLAGE WOMAN : Anyway, what are we going to do with our
farming? It's
a big problem. When are we ever going to manage the sowing?
WIFE : They might be back today.
VILLAGE WOMAN : That's right. You told me so.
WIFE : I hope so.
VILLAGE WOMAN : They gave us all that trouble for nothing.
This creature
is said to have divine powers. How could it be captured by
men -- not to mention by those bums?
WIFE : Well, I guess not.
VILLAGE WOMAN : Of course not. This horse is meant for the
superbaby to
ride. It is not meant to be captured by a bum like my husband.
There is no horse in the whole world which could be meant for
him. Well, except a certain crazy wench.
(Pretending she hasn't heard
her, Wife gets up and puts
the baby
to bed.)
VILLAGE WOMAN : What a gentle baby he is! Well, let's go
and plow a bit
more before the sunset. I want to be back home early today.
I've got a hunch that he's going to molest me again tonight.
But what can you do about it? If they think someone is a superman
just because he can carry an A-frame full of firewood or because
he can swing a pick, everybody in the village would be a superman.
But my goblins still wouldn't listen to me no matter what I
say. So I end up plowing, cooking, and gathering firewood all
by myself. What am I, a work horse?
(The two woman pick up
their tools to go to work
in the field.)
WIFE : Look! (Points at a distant
place.)
VILLAGE WOMAN : What ... ? They are coming down!
WIFE : Yes, they are over there near the stream! I see soldiers
......
VILLAGE WOMAN : Why are they coming around our village? They
should be
going to the town.
WIFE : Really!
VILLAGE WOMAN : Look at that!
WIFE : Yes?
VILLAGE WOMAN : Looks like they are going to take a break
over there.
WIFE : I think so.
VILLAGE WOMAN : I must go and see. (She exist
in a hurry)
(Some sound is heard from
the room.)
WIFE : Is he up already? (She goes back and opens the door.)
Oh,No!
She falls down backward and
rolls down to the yard.
She barely manages to gather
herself up to look into the
room.
She is shaking all over.
Through the open door, the
baby [a puppet] is seen walking
around the room. He is plodding
on with steady steps.
With his arms stretched out,
he moves them up and down
as he walks along.
WIFE : Oh, no! What shall I do? Oh my! What can I do? (She
crawls up to the threshold.
Clutching the threshold with both
hands.)
WIFE : My baby! My dear baby! Oh my goodness!
BABY : (With an amplified voice
like an echo.) No more!
WIFE : Oh, no!
BABY : (Like an echo.) I can't stand
it no more!
WIFE : No, my baby! No!
Lights. A blood-red flush of
lights comes slowly up on
stage. Gradually it fades out.
Wife is dumbfounded. She is
seen making frantic gestures. She
is unable to straighten her
body to get up.
In the room the baby is
plodding around.
Wife manages to latch the
door.
Wife is waiting for her
husband. Wife strains her ears
to the outside. The scene
is almost identical with the
opening scene of the play
-- Wife waiting for Husband.
This time, however, she is
in a different state of mind.
Whenever there is any slight
sound outside, she listens intently
to it for a while and
then glances at the door
of the room.
She repeats this gesture.
A sound.
Wife goes out, stands where
the brushwood gate should be,
and makes a gesture to look
far out.
Husband enters.
He walks with shaky steps.
He looks tired. He drags
himself along and barely manages
to get to the front yard
of his house.
He puts down the net bag
from his shoulder and flops
down on the ground.
HUSBAND : Poor me!
WIFE : ......
HUSBAND : A-all th-that f-f-fuss ca-ca-came to n-nothing.
We were only
b-b-beating the air.
WIFE : ......
HUSBAND : I heard the M-M-Magistrate is in a b-b-b-big b-b-b-b-b-blowup.
WIFE : ......
HUSBAND : Those no-no-no-noble s-s-s-soldiers are all in
a t-t-t-terrible
t-t-t-temper.
WIFE : ......
HUSBAND : The M-M-Magistrate g-g-gave a s-s-s-strict o-order
that they
sh-sh-shouldn't e-even think of co-co-co-coming b-b-back
to the t-t-t-town without the h-ho-ho-horse in ca-ca-ca-captivity.
WIFE : ......
(Soliders are heard singing form
a distance.)
HUSBAND : L-l-listen to that. The-the-they are g-g-going
to ca-ca-ca-camp
across the river t-t-t-tonight. And t-t-t-t-tomorrow, they
are g-g-g-going to s-s-sear-sear-search e-e-every v-v-village
for the s-s-su-su-superbaby. Go-go-god d-d-d-damn it! This wretched
l-l-life ...!?
WIFE : ......
(Husband stops talking, and for
the first time, he looks
straight into Wife's face.)
WIFE : ...... (She looks at her
husband.)
HUSBAND : Wha-wha-what's the m-m-matter?
WIFE : ...... (She vacantly gazes at
the net bag her husband has
just
thrown down on the ground.)
HUSBAND : Huh?
WIFE : ...... (She looks at her
husband again.)
HUSBAND : Wha-wha-what the he-he-he-hell is wro-wro-wrong
with you?
Wha-wha-wha-wha-what is it?
WIFE : (Shakes her head.)
HUSBAND : (He grabs Wife's arm.)
......?
He compulsively turns to look
around.
He finds nothing unusual other
than his wife's strange behavior.
WIFE : (Turns toward the door.
It's closed now.)
There is a sound from
the room.
HUSBAND : (Looks toward the room)
Wha-what, why?
He goes toward the room.
WIFE : (She holds him back by
the arm.)
HUSBAND : (Makes a gesture of
being frightened as if he
had sensed
something.) Huh?
WIFE : (Lets his arm go.) Love!
HUSBAND : ......
WIFE : Something dreadful has just happened.
HUSBAND : Wha-what? Wha-what? (He moves several
steps toward the room and
stops.) You m-m-m-mean you are re-re-really n-n-not
jo-jo-joking.
WIFE : (Nods)
HUSBAND : (Stares in the direction
of the room.)
A sound in the room.
Husband looks at wife.
WIFE : (Nods)
The baby shakes the latch
from inside.
HUSBAND : Oh, Heavens! (Husband flops down
on the ground.)
Wife squats down beside him.
They lookd at each other
and then turn to the room.
HUSBAND : Lo-lo-lo ..... lo-love! (He gets
up, approches the room, turns
around, and looks at Wife.)
Wife gets up and walks
up to Husband,
tries to unlock the latch
in the door, stops on second
thought, peeps into the room
through a hole in the door.
Then she steps aside for
Husband.
Husband looks into the room
through the hole.
HUSBAND : Oh, good heavens!
Husband flops down again on
the ground.
Crawls backward out to the
center of the yard.
Wife stands still by the
door.
HUSBAND : (In a suppressed voice.)
H-h-h-h-ho-ho-ho-ho-ho-honey!
Wha-wha-wha-wha-wha-what ......?
Wife doesn't move.
Husband motions Wife to come
over to him.
Wife doesn't move.
Husband beckons again to Wife.
Wife steps down to the
yard
and squats down by Husband
as she did before.
HUSBAND : Wha-wha-wha-what can we d-d-d-do?
Wife looks up at Husband.
She doesn't seem to hear
anything he says.
HUSBAND : Wha-wha-what can we do?
WIFE : ......
They stay sitting like that
face to face.
A long pause.
From a distance, soldiers are
heard singing.
Husband and Wife listen to
that.
The wind. Wife is startled.
HUSBAND : It's the wi-wi-wi-wind, n-no-no-nothing more.
Wife gets up.
Enters the kitchen and carries
out a bamboo basket.
She spreads out the greens
she has in the basket in
front of the threshold. She
sits down blocking the door.
Husband follows her movement
with his eyes.
At first he is bewildered
by Wife's behavior,
and then he slightly nods
his head.
He looks out at where
the brushwood gate should be.
The latch rattles again.
WIFE : (Sings slowly in the ordinary
rhythm of a lullaby.)
My baby, my good baby!
Grow strong with no milk!
My baby, fussy baby!
Come on, stop fussing!
Or, you'll become a bandit.
A bad harvest year.
Once a bandit in this world,
There's no chance for you.
You end up with headsman.
Your head on a pole.
ªÂMommy! Ouch! Mommy! It hurts!ªÃ
Crows peck, magpies peck.
It's such a scary story.
Bitter is your lot!
It cannot be your story.
It's just a story.
Somebody else's story.
It's not your story.
Once a bandit in this world,
there's no chance for you.
You end up with the headman.
Your head on a pole.
The latch makes a big,
loud rattle once and stops.
He looks at Wife and turns
to look toward the brushwood
gate.
Wife vainly fingers through the
greens.
They listen.
HUSBAND : I-i-it's the wi-wi-wind.
The wind.
Wife fiddles again with the
greens.
Husband follows Wife's movements
with his eyes.
WIFE : (Gets up and enters the
kitchen.)
Husband's eyes follow her.
Wife comes out from the
kitchen.
Husband's eyes keep following
Wife until she settles down
near the threshold. Wife starts
fingering the greens. Husband turns
his eyes away from wife and
throws a quick glance toward
the gate. He stays still
for quite a while. Then again
his eyes are riveted on wife's
hands idly moving through the
greens. He lifts his rump
up to be in a half-standing
position. He wants to say
something to Wife. He gives
up and flops himself down.
He gets up, goes around
to the back of the house.
He brings out a heap of
straw.
Wife looks up at him.
He sits down near the
gate and starts twisting strands
of straw between his palms.
He is making a rope.
A long pause.
He suddenly stops what he
is doing.
Wife also stops.
A sound outside.
A pause.
Husband hesitantly approaches the
gate.
He litens to the outside.
A sound.
Heaving a sigh, he turns
around.
He catches Wife's eyes.
HUSBAND : It's a s-s-s-squir-squir-squirrel.
Wife drops her head.
And she fiddles with the
greens again.
Husband twists straw. Soldiers
are heard singing.
Husband stops and glances at
Wife.
Wife keeps fiddling with the
greens without reponding to Husband.
A bird suddenly chirps.
Both of them are startled
to look up. Their eyes meet
and instantly turn to the
room as if with one accord.
Again, they go back to
what they've been doing.
A pause.
There's no sign of the
baby from the room.
Suddenly, the stage becomes darker
Startled again, they look up
to the sky.
HUSBAND : It's a c-c-c-c-clo-clo-clo-cloud.
The shade slowly moves away.
The stage lights up.
The latch rattles again.
Husband jumps up and blocks
his ears.
He turns toward the door,
helplessly drops his hands from
his ears.
He is at a loss to
know what to do.
He gives a look around
the gate.
He turns to look at Wife.
WIFE : (Slowly in a sad tone.)
My baby, my good baby!
Grow strong with no milk!
My baby, fussy baby!
Come on, stop fussing!
Or, you'll become a bandit.
A bad harvest year.
Once a bandit in this world,
There's no chance for you.
You end up with headsman.
Your head on a pole.
ªÂMommy! Ouch! Mommy! It hurts!ªÃ
Crows peck, magpies peck.
It's such a scary story.
Bitter is your lot!
It cannot be your story.
It's just a story.
Somebody else's story.
It's not your story.
The rattle abruptly stops.
In the meantime, Husband is
on the lookout at the gate.
He turns back.
Wife keeps fiddling with the
greens with deliberate nonchalance.
Husband twists straw again in
such an intense manner that
it's
as if he were trying to
twist fear out of his mind.
The evening glow sets in.
The gow gradually intensifies.
The blood-red hue of the
sunset eventually becomes dark purple.
Suddenly there is a black-out.
A pause.
In the darkness, a horse
is heard neighing in the
distance.
Startled at the sound, their
faces become hardened.
Spotlights pick out Husband's
face and then that of Wife.
The latch begins to rattle.
BABY : (In an amplified voice,like
an echo) I am hungry!
Wife gets up.
Husband gets up.
Wife enters the room.
The stage is still dark.
A pause.
A dim light of a lamp
lights up inside the room.
Wife comes out.
A spotlight is on Wife's
face
and another on Husband's face.
They sit in the center
of the yard.
A pause.
An owl hoots.
The spotlights show their faces
listening.
A sound.
The spotlights go down.
The stage is dark again.
A pause.
Husban's face is lighted again.
HUSBAND : I-i-i-it's o-o-o-only a b-b-b-b-bird.
Wife's face is also lighted.
Birds are heard flapping as
they move from one tree to
another.
An owl hoots.
The spotlights go down.
A pause.
The stage is dark again.
A wolf howls.
After a long pause, the
lights come back up
as if they were letting
out a deep breath.
The lights pick up two
faces crouching down on the
center stage
-- Husband and Wife.
They look up toward the
room.
On the rice-papered lattices
of the sliding door, the
silhouette of the baby appears
as he jumps up to his
feet.
The baby starts shaking the
latch of the door.
In the stillness of the
night,
it rumbles like thunder.
HUSBAND : (His lighted face turns
to that of Wife.)
WIFE :(Slowly in a sad tone.)
My baby, my good baby!
Grow strong with no milk!
My baby, fussy baby!
Come on, stop fussing!
Or, you'll become a bandit.
A bad harvest year.
Once a bandit in this world,
There's no chance for you.
You end up with headsman.
Your head on a pole.
ªÂMommy! Ouch! Mommy! It hurts!ªÃ
Crows peck, magpies peck.
It's such a scary story.
Bitter is your lot!
It cannot be your story.
It's just a story.
Somebody else's story.
It's not your story.
The rattle stops.
A pause.
A horse is heard neighing
again.
The rattle starts again. It's
more vigorous this time.
In the stillness of the
night, it rumbles like thunder.
The amplified voice of the
baby resounds like an echo,
ªÂMy horse!ªÃ
HUSBAND : (Jumping up to his
feet.) S-s-s-s-sweet h-h-h-heart!
(He looks down at Wife.)
WIFE : (Looking up at him.) No!
She hangs on to Husband's
legs.
HUSBAND : (With his legs held
by Wife, Husband looks out
into the
darkness.)
Like an echo, the baby's
voice
rings again in the air,
ªÂMy horse!ªÃ
The latch rattles.
Husband shakes Wife off his
legs
and approches the room.
Wife runs after him and
holds on to him again.
Husband kicks her off.
Wife collapses.
HUSBAND : (Husband slides the door
open and enters the room.)
His silhouette shows up on
the rice-papered lattices.
The big shadow knocks down
the small one.
A big grain sack is placed
on top of baby.
Husband comes outside.
Wife jumps up.
Husband holds Wife down to
the ground.
Wife struggles to free herself
from his grip, but Husband
won't let her go.
On the rice-papered screen, the
little shadow struggles,
pressed under the sack.
A long pause.
A voice from the room
calls out like an echo, ªÂMama!ªÃ
Wife rises up.
Husband knocks her down
and enters the room.
Another sack is placed on
top of the first one.
Husband comes out.
He squats down on the
ground tightly holding Wife in
his arms as before.
Now and then, he throws
a glance at the door.
Finally the shadow becomes quiet.
It no longer moves.
The mournful neigh of a
horse echoes.
Inside the room, the lamp
goes out.
Moonlight illuminates the stage.
It gradually becomes darker.
Soon the moon is completely
shaded by a cloud.
The wind.
Darkness.
The dim reflection of the
moonlight.
Husband is seen carrying something
on his A-frame across the
yard.
Darkness on the stage.
The wind.
End of Act Three
ACT FOUR
Early morning, the following
day.
Birds chirp.
The stage is empty.
The door to the room is
closed.
Somebody is singing from a
distance.
My baby, my good baby!
Grow strong with no milk!
My baby, fussy baby!
Come on, stop fussing!
Or, you'll become a bandit.
A bad harvest year.
The singing gradually becomes
closer. It's a horse, yet
very articulate voice. Old Woman
enters. As in Act Two, she
is in rags and carrying the
same knapsack tied around her
waist. But the knapsak she
carries is somewhat bulgy this
time. It looks like she has
a gourd dipper inside. Wife
enters from behind the house.
She stares at Old Woman.
OLD WOMAN : I've got it (Unties her knapsack.)
I've got my son back.
Wife goes around the house.
Old Woman sits on the ground.
Stroking the knapsack, she mumbles
a lullaby. Her song is hardly
audible. It is audible only
when she hits a high note
every now and then. Wife
enters absent-mindedly. She offers
a bowl of water to Old
Woman.
OLD WOMAN : Thank you.(Drinks.) Thank you again. (She
puts the bowl down on
the ground and picks up
her knapsack.) You are my baby. You are never
cold, never hot, never thirsty, and never hungry. And you never
fuss. You are my good baby. (She rises. Wife
follows with her eyes on
the bulge of the knapsack.)
Let's go. Your Mommy will bury you in a corner of her field
where the birds chirp and the sun is warm. Let's go. (As
she walks, she pats her knapsack.)
You are so light, lighter than when you were born.(She
exists singing a lullaby.)
Wife watches Old Woman leaving.
For a while, Wife keeps her
eyes fixed in where Old Woman
left. It's a balmy spring
day. In the midst of birds
chirping, Old Woman's lullaby is
almost inaudible. But it's still
there trailing off. Wife enters
the room.
A pause.
Husband enters carrying his A-frame
and a pick.
He puts down his A-frame
and stands there silently.
He calls Wife in a dejected
voice.
HUSBAND : S-s-s-sweet ha-ha-ha-heart!
He goes around to the
back yard.
Comes back to the front.
Goes out through the gate.
Looks around.
He comes back after a
moment.
Sits down on the ground
with his head drooped down
on his knees.
A pause.
He looks up at the door.
Gets up and opens it.
Wife [a puppet] is seen
hanging by the neck from
a beam.
Husband rushes in and takes
her down.
HUSBAND : S-s-s-sweet ha-ha-ha-heart!
He shakes her body.
Flops his body down beside
her.
Buries his head between his
knees.
A pause.
He gets up.
He unties the rope around
Wife's neck and hangs it
up on a beam.
A horse neighs.
The baby riding the winged
horse enters through the gate
of the front yard.
(Both the baby and the
horse are puppets--abstract representations.)
The stage darkens. Spotlights
focus on the baby and the
horse, Husband's face, and Wife's
body lying inside the room.
HUSBAND : (Stepping down to the
yard, he collapses at the
sight of the baby
and the horse.)
I-I-I-I've j-j-j-j-j-just b-b-b-b-bu-bur-buried you ......?
BABY : (The baby shakes his head,hands
a bunch of azalea to his
father.)
HUSBAND : (Husband walks up to
the baby and takes the flowers
as if he were
sleepwalking.)
BABY : (In an amplified voice.)
Mommy! Mommy!
HUSBAND : (Enters the room and
places the flowers on Wife's
bosom.)
S-s-s-sweet ha-ha-ha-heart! You-you-your ba-ba-baby
ca-ca-ca-came b-b-back alive.
WIFE : (Wife [a puppet] gets
up with the flowers and steps
out of the
room to the front yard.
She walks up to her baby
and hugs him.
BABY : (In an amplified voice.)
Mommy! Daddy! Get on the horse!
Hurry up!
HUSBAND : (Picking Wife up and
setting her on the horse.)
The-the-there!
R-r-ru-ru-run a-a-l-l-long! H-h-hu-hu-hu-hurry up be-be-before
pe-pe-pe-people g-g-ge-ge-get here! I t-t-t-told them that
you
are de-de-de-dead. P-p-p-people in the vi-vi-village wi-will
be
he-here p-p-p-pretty s-s-soon.
BABY : (Baby waves his hand.)
WIFE : Come on! Hurry up! Soldiers are coming this way.
HUSBAND : (Wiping tears with his
sleeves.) A-a-al-all right, a-a-all
right.
But he doesn't mount the
horse. Instead he takes the
horse by the bridle and goes
out through the gate.
The stage brightens up again.
It's empty.
Village people and soldiers enter.
VILLAGE MAN 1 : Well, here we are.
A soldier rushes to the
room and flings the door
open.
SOLDIER 1 : Where is he?
SOLDIER 2 : Are you sure?
VILLAGE MAN 1 : Yes, last night, he told me so. It had a
fit and died.
SOLDIER 3 : Humm.
VILLAGE MAN 1 : He said he had buried it up on the mountain.
VILLAGE MAN 2 : Look! Over there! Gee Whiz!
PEOPLE : They are riding the horse up to Heaven! They are
throwing
flowers!
When you get to Heaven, please tell God not to send any superbaby
down to our village again.
Everybody adds a word or
two.
A song comes from the
sky.
FROM THE SKY : My baby, my good baby.
ALL : Shoo-oo! Shoo! Don't ever come back!
Away, away! Shoo-oo! Go away!
(Making gestures of shooing birds
away in the field.)
FROM THE SKY : Grows strong with no milk ......
PEOPLE : Shoo-oo! Don't come back! Go away! Shoo-oo-ooh!
In no time, the gestures
of shooing turn into lovely
dancing. Everone is soon drawn
into wild and vigorous dancing.
Their hands, feet, heads, and
shoulders are involved in vigorous
dance movements. They all undulate
their bodies frantically, as if
they were dancing a shaman's
dance or a farmer's dance.
FROM THE SKY : ......My baby, my fussy baby
Come on, stop fussing......
PEOPLE : Shoo-oo! Don't ever come back! Shoo-oo! Don't ever
come back!
Shoo-oo-oo-ooh!
As the sky and the earth
respond to each other in
a gradually increasing degree of
exhilaration,
the curtain slowly comes down.
CURTAIN