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4. ±è°­ÈÆ  "±è°­ÈÆ" <hosea9@hanmail.net> 
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When you follow your bliss... doors will open where you would not have thought there would be doors; and where there wouldn't be a door for anyone else.

Eternity has nothing to do with the hereafter...  This is it... If you don't get it here, you won't get it anywhere. The experience of eternity right here and now is the function of life. Heaven is not the place to have the experience; here's the place to have the experience.  

                     <Joseph Campbell(1904 - 1987), a US folklorist & expert on mythology> '

Joseph Campbell's Book [The Power of Myth]

JOSEPH CAMBELL  [THE POWER OF MYTH] DVD ÀÚ·á½Ç

A Memo on [¸¶À½¿¡´Â ÆòÈ­; ¾ó±¼¿¡´Â ¹Ì¼Ò]  A Collection of Selected Writings by Thich Nhat Hanh

 A Memo on [¸¶À½¿¡´Â ÆòÈ­; ¾ó±¼¿¡´Â ¹Ì¼Ò]  A Collection of Selected Writings by Thich Nhat Hanh


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FEMINIST REREADINGS
PART Five  Sam Shepard -- ¿ä¾à°ú ÅäÀÇ:









ÀÌ °­ÀÇ °èȹ¼­´Â ¾ÆÁ÷ ÀÛ¼ºÁßÀÎ °èȹ¼­ÀÔ´Ï´Ù. ÇбⰡ ½ÃÀ۵Ǹé Çлý¿©·¯ºÐ°ú ¸¸³ª ÇÔ²² ÀdzíÇÏ¿© ¼öÁ¤ ¹× Á¶Á¤À» °ÅÃÄ¾ß ÇÕ´Ï´Ù. Çʿ信 µû¶ó¼­ ½ÇÁ¦ °­ÀÇÀÇ ÁøÇà»óȲ¿¡ ¸ÂÃß¾î ÇбâÁß¿¡µµ °è¼ÓÇØ¼­ ¼öÁ¤/Á¶Á¤µË´Ï´Ù. °­ÀÇ ÀÏÁ¤À» ¼ö½Ã·Î È®ÀÎÇÏ¿© Âø¿À°¡ ¾øµµ·Ï À¯ÀÇÇϼ¼¿ä.

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1. °­ÀÇÁß ÅäÀÇ¿ë ºÎ±³Àç #1 :

FEMINIST REREADINGS OF MODERN AMERICAN DRAMA
                EDITED BY JUNE SCHLUETER

¿ä¾à ¹ßÇ¥ÀÚ  (ÀÓÀÇ·Î ÀûÀº °ÍÀÌ¸ç »óȲ¿¡ µû¶ó ÃßÈÄ ´Ù½Ã Á¶Á¤ÇսôÙ.) :

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°­ÀÇÁß Âü°íÀÚ·á : 
     Dutton, Richard   Modern Tragicomedy and the British Tradition,   
        The Havard University Press, 1986. 
       
 PART I : Tragicomedy
        PART II : Waiting for Godot by Samuel Beckett
        PART III : Individual Articles  
        IN CONCLUSION   

ÀÌ ¾Æ·¡ÀÇ ³»¿ëÀº È®Á¤µÈ °­ÀÇÀÏÁ¤ÀÌ ¾Æ´Ï´Ï ¹«½ÃÇϼ¼¿ä. Âü°íÇÒ ÀڷḦ ¸µÅ©ÇصР°ÍÀÔ´Ï´Ù.







°­ÀÇ ÀÏÁ¤: 4¿ùºÎÅÍÀÇ ¼¼ºÎÀûÀÎ °­ÀÇ ÀÏÁ¤Àº Çлý¿©·¯ºÐ°ú ÇÔ²² ÀdzíÇÏ¿© ÀÛ¼ºÇÕ´Ï´Ù. ´Ê¾îµµ 4¿ù ¸»ÀϱîÁö´Â È®Á¤ÇÏ¿© ȨÆäÀÌÁö¿¡ ¿Ã¸± °ÍÀÌ°í º¸´Ù ±¸Ã¼ÀûÀÎ ¼¼¹Ì³ª ¹ßÇ¥ ÀÏÁ¤Àº Çлý ¿©·¯ºÐÀÌ ¼­·Î ÀdzíÇÏ¿© °áÁ¤ÇÏ°Ô µÉ°ÍÀÔ´Ï´Ù.

½Ç½À¿ë Àå¸éµé       ´Ü¸·±Ø ½Ç½À Àå¸é ¹ßÇ¥ ÀÏÁ¤(±ÇÀå »çÇ×ÀÏ»Ó °­¿ä»çÇ×Àº ¾Æ´Õ´Ï´Ù.)


Áö³­ °­ÀÇ ³»¿ª :

4¿ù 19ÀÏ(È­)   FEMINIST REREADINGS  INTRODUCTION  -- ¿ä¾à°ú ÅäÀÇ:

                ºÎ±³Àç ¿ä¾à

4¿ù 21ÀÏ(¸ñ)   FEMINIST REREADINGS PART Two  Arthur Miller -- ¿ä¾à°ú ÅäÀÇ:


4¿ù 26ÀÏ(È­) Àå¸é ½Ç½À:  [Striptease] ÅäÀÇ
Peter Brook's [The Empty Space] Part One Á¦ 1Àå Ä¡¸íÀû Á×Àº ¿¬±Ø  --¿ä¾à°ú ÅäÀÇ:

4¿ù 28ÀÏ(¸ñ) Peter Brook's [The Empty Space] Part  Two --¿ä¾à°ú ÅäÀÇ:
Mythic Reflections   Thoughts on myth, spirit, and our times
                                an interview with Joseph Campbell, by Tom Collins
Arthur Kopit -- Indians      Amiri Baraka  --  The Dutchman

¼¼¹Ì³ª ÀÏÁ¤ È®Á¤ ¹× Áغñ

5¿ù 03ÀÏ(È­) Àå¸é ½Ç½À
Brook Chapter Two --¿ä¾à°ú ÅäÀÇ:

Hwang, David Henry  M. Butterfly  / FOB
                            Mamet, David -- Oleanna / Duck Variation / Woods

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Gross, Roger Understanding Playscripts

Francis Hodge Play Directing : Analysis, Communication, Style


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Harold Pinter  The Dumb Waiter(¿µ¹®´ë»ç)
                                        ´Ò »çÀ̸ՠ
Visitor from Forest Hills /  Nikolai Gogol[The Marriage]  
                                        
À̰­¹éÀÇ [°áÈ¥] ¿µ¹®           

                        Mrozek's [The Striptease] ¼Ò°³

µå¶ó¸¶21c ÀÚ·á½Ç:
A
Albee, Edward
Akutagawa, Ryunosuke
Artaud, Antonin
Ayckbourn,Allan


    3¿ù 10ÀÏ(¸ñ) ¿µ¾î¿¬±Ø [The Striptease] °ø¿¬ ´ëº» ÀÐ¾î ¿Í¼­ ÇÔ²² ÅäÀÇ
                 
Edward AlbeeÀÇ [
The Zoo Story] ÅäÀÇ
                           
WHICH THEATER IS THE ABSURD ONE?  By Edward Albee
                            
Edward Albee Interviewed by Lester Strong

      ¿µ¾î¿¬±Ø °ø¿¬ [Suddenly Last Summer] °ø¿¬ --10ÀÏ(¸ñ)ºÎÅÍ 12ÀÏ(Åä)±îÁö ÀÚÀÛ¸¶·ç(¼Ò°­´ç)
                         ¸ñ/±Ý 6½Ã¹Ý     Åä 2½Ã & 6½Ã¹Ý


3¿ù  15ÀÏ(È­)

Eugene Ionesco's Rhinoceros

 On Tragicomedy (Dutton °³¿ä ¼³¸í)   &  Peter Brook The Empty Space (°³¿ä ¼³¸í)

John Ciardi   Robert Frost : The Way to the Poem

HYPERTEXT·Î ¸¸µç [¿¬±Ø¼±»ýÀÌ ¾´ ¿µÈ­À̾߱â]    


  3¿ù 17ÀÏ(¸ñ) Çì·Ñµå ÇÉÅÍÀÇ ´Ü¸·±Ø [The Dumbwaiter] ÅäÀÇ
             (
¿µ¹®´ëº»°ú ¾Æ·¡¿¡ ¸µÅ©µÈ ÀÚ·áµéÀ» ÀÐ°í ¸Þ¸ðÇØ¿Ã°Í.)

  Harold Pinter  1930-

The Absurdity of Dread: Pinter's The Dumb Waiter

   CHARLES A. CARPENTER

 

The Dumb Waiter : Pinter's Play with the Audience
    THOMAS F. VAN LAAN

 

The Dumb Waiter : Undermining the Tacit Dimension   AUSTIN  E. QUIGLEY

 

Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] ¸Þ¸ð Harold Pinter's The Dumb Waiter

´ý¿þÀÌÅÍ ±¹¹®´ëº» (ÀåÀº¼º ¹ø¿ª)

´ý¿þÀÌÅÍ ±¹¹®´ëº» (À±¿µ¼± ¹ø¿ª)

THE DUMB WAITER  by Harold Pinter ¿µ¹®´ëº»

Çì·Ñµå ÇÉÅÍ í [´ý ¿þÀÌÅÍ] ·ù¿µ±Õ¹ø¿ª (Àå¸é ´ë»ç)

 

Çì·Ñµå ÇÉÅÍ í [´ý ¿þÀÌÅÍ] (Àå¸é ´ë»ç)

 

<REVIEW> Harold Pinter's The Caretaker

 

´ë»çtext¿Í ¹Ø´ë»çsubtex ±×¸®°í [´ëº» Àбâ]°¡ ¾Æ´Ñ [´ë»ç ¸»Çϱâ] : Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] Àå¸é

 

±èÅÂÇüÀÇ ¹ßÇ¥ : Harold PinterÀÇ Mountain Language¿¡ ³ªÅ¸³­ ¾ð¾îÀÇ ±â´É
Çì·Ñµå ÇÉÅÍÀÇ [Homecoming] Âü°íÀÚ·á
Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] Âü°íÀÚ·á
THE DUMB WAITER  by Harold Pinter ¿µ¹®´ëº»
THE DUMB WAITER  by Harold Pinter ±¹¹®´ëº» (¹ø¿ªÁß)


   3¿ù 22ÀÏ(È­)  <Çѱ¹ Èñ°î ´ëº» ¸ðÀ½>

Çѱ¹Èñ°î ¼Ò°³ (¾Æ·¡ Çѱ¹Èñ°îÀÛǰµé Áß 2ÆíÀ» °ñ¶ó ÀÐ¾î ¿Ã°Í)

             Çѱ¹Èñ°î  ÅäÀÇ  : ÀÌÇöÈ­ÀÇ [Ä«µ§Â¥] [ºÒ°¡ºÒ°¡] [Ä«µ§Â¥] [0.917] À̸¸Èñ [±×°ÍÀº ¸ñʱ¸¸Û¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.]


 3¿ù 24ÀÏ(¸ñ) Àå¸é ½Ç½À ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½  
                           
ÃÖÀÎÈÆ :[
¿¾³¯ ¿¾Àû¿¡...] [º½ÀÌ ¿À¸é...] [Çѽº¿Í ±×·¹ÅÚ]  
                           À±´ë¼º : [
½ÅÈ­1900] [³ëºñ¹®¼­] ¿Àż® : [ÃádzÀÇ Ã³] [ÅÂ] [ÀÚÀü°Å]

[M. Butterfly] & Feminism

1 [¿¥ ¹öÅÍÇöóÀÌ]  

        A Scene from David Henry Hwang's [M. Butterfly]

        µ¥À̺ñµå Ç ȲÀÇ Èñ°î "¿¥ ¹öÅÍÇöóÀÌ" ÀÛ°¡Èı⠠
             David Henry Hwang's Afterwords to "M. Butterfly"

        ³ªºñ ±ú¶ß¸®±â : µ¥À̺ñµå Ç ȲÀÇ Á¤Ä¡·Ð 
            
Breaking the Butterfly : The Politics of David Henry Hwang 

        "¿µÈ­º¸´Ù ´õ ±â¹¦ÇÑ ÁøÂ¥ ³ªºñºÎÀÎ À̾߱â" 
           
¼Ò¼³º¸´Ù ´õ ¼Ò¼³°°Àº ÁøÂ¥ ³ªºñºÎÀÎ À̾߱â [´º½ºÀ§Å© ±â»ç].
     

             Newsweek Article Much Stranger Than Fiction : The Real M. Butterfly Story Is Riveting  

Çѱ¹Èñ°î ÀÚ·á Modern KOREAN Drama 

<Çѱ¹ Èñ°î ´ëº» ¸ðÀ½> Çѱ¹¿¬±Ø  ÅäÀÇ ¸Þ¸ð

Àå¸é ½Ç½À ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½  
                           
ÃÖÀÎÈÆ :[
¿¾³¯ ¿¾Àû¿¡...] [º½ÀÌ ¿À¸é...] [Çѽº¿Í ±×·¹ÅÚ]  À±´ë¼º : [½ÅÈ­1900] [³ëºñ¹®¼­] ¿Àż® : [ÃádzÀÇ Ã³] [ÅÂ] [ÀÚÀü°Å]


3¿ù 29ÀÏ(È­) (Çѱ¹Èñ°î) Çѱ¹¿¬±Ø  ÅäÀÇ ¸Þ¸ð

                    Àå¸é ½Ç½À  ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½


3¿ù  31ÀÏ(¸ñ) Àå¸é ½Ç½À  ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½

·ù¿µ±ÕÀÇ [¿µ¾î¿¬±Ø°ú ¿µ¾î±³À°] ȨÆäÀÌÁö http://drama.home.uos.ac.kr/


 4¿ù  5ÀÏ(È­)  ½Ä¸ñÀÏ °øÈÞÀÏ(OFF)


 4¿ù 7ÀÏ(¸ñ)  Sam Shepard  True West (ÁøÂ¥ ¼­ºÎ±Ø) ÅäÀÇ :
        
 
Geography of a Horse Dreamer / Fool for Love/ A Lie of the Mind / La Turista / The Tooth of Crime / Operation Sidewinder

          A Memo on True West   
          
Article : Orbison's Mythic Levels of [True West] ; Mythic Levels in Shepard's [True West] article ¿ä¾à ÅäÀÇ
          ³í¹® :
Sam ShepardÀÇ Èñ°î¿¡ ³ªÅ¸³ª´Â À̹ÌÁöµéÀÌ °®´Â ±ØÀû ±¸¼º»óÀÇ ±â´É 
                    
Sam ShepardÀÇ Angel City¿¡ Åõ¿µµÈ ¿µÈ­»ê¾÷ÀÇ ÀÚ°¡´çÂø
                    È¯»ó°ú Çö½ÇÀÇ Àüµµ(ï´Óî) : »ù ¼ÎÆÄµå (Sam Shepard)ÀÇ Fool for Love  

     Sam Shepard --Geography of a Horse Dreamer ÅäÀÇ 
     
D. H. Lawrence (1885-1930) The Rocking-Horse Winner¸¦ Àоî¿À¼¼¿ä.
      
Sam Shepard --
Geography of a Horse Dreamer ¿Í ºñ±³ÇÏ¿© ÅäÀÇÇսôÙ.


4¿ù 12ÀÏ(È­)  Albee, Edward --The Zoo Story Three Tall Women  American Dream  Delicate Balance ÅäÀÇ
                        
Three Tall Women  Albee, Edward  Three Tall Women  ; American Dream

Àå¸é ½Ç½À  ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½

 Sam Shepard  True West (ÁøÂ¥ ¼­ºÎ±Ø) ÅäÀÇ :
        
 
Geography of a Horse Dreamer / Fool for Love/Buried Child/Angel City
                A Lie of the Mind
/ La Turista / The Tooth of Crime / Operation Sidewinder

          A Memo on True West   
          
Article : Orbison's Mythic Levels of [True West] ; Mythic Levels in Shepard's [True West] article ¿ä¾à ÅäÀÇ
          ³í¹® :
Sam ShepardÀÇ Èñ°î¿¡ ³ªÅ¸³ª´Â À̹ÌÁöµéÀÌ °®´Â ±ØÀû ±¸¼º»óÀÇ ±â´É 
                    
Sam ShepardÀÇ Angel City¿¡ Åõ¿µµÈ ¿µÈ­»ê¾÷ÀÇ ÀÚ°¡´çÂø
                    È¯»ó°ú Çö½ÇÀÇ Àüµµ(ï´Óî) : »ù ¼ÎÆÄµå (Sam Shepard)ÀÇ Fool for Love  

     Sam Shepard --Geography of a Horse Dreamer ÅäÀÇ 
     
D. H. Lawrence (1885-1930) The Rocking-Horse Winner¸¦ Àоî¿À¼¼¿ä.
      
Sam Shepard --
Geography of a Horse Dreamer ¿Í ºñ±³ÇÏ¿© ÅäÀÇÇսôÙ.

Albee, Edward --The Zoo Story Three Tall Women  American Dream  Delicate Balance ÅäÀÇ
                        
Three Tall Women  Albee, Edward  Three Tall Women  ; American Dream

FEMINIST REREADINGS  Part Four Edward Albee Âü°í


4¿ù 14ÀÏ(¸ñ)   
Video Show : Marsha Norman's [
'night Mother] & [Getting Out]
                    Beth Henley's [
Crimes of the Heart]

                   Martha Norman [Getting Out], ['night, Mother]
                             Beth Henley's [Crimes of the Heart], [The Debutante Ball]

 ['night Mother] & [Crimes of the Heart] ÅäÀÇ

  Martha Norman  'night, Mother ÅäÀÇ :
                           ³í¹® :
Marsha NormanÀÇ ¿¬±Ø 'night Mother¿¡¼­ÀÇ Å¬¶óÀ̸·½º ±×¸®°í »î°ú Á×À½ÀÇ ±³Â÷:
                                    The Reversal of Mama's Death-In-Life and Daughter's Life-In-Death
                         
      
at the Climax of Marsha Norman's Drama 'night Mother
                          
      <¼­¿ïã¼Ø¡ÓÞùÊÎè ìÑÙþΡùÊæÚϼᶠ [ìÑÙþΡùÊ] Á¦8Áý 2001³â 3¿ù>

      Jenny S. Spencer  Norman's 'night, Mother : Psycho-drama of Female Identity

 Martha Norman Getting Out ÅäÀÇ

                     ÇÑÀμø Getting Out : °¨±Ý»óÅ¿¡¼­ÀÇ Å»Ãâ     - 11°­ 2/8  (»õâ)
                    
 Article ¿ä¾à :
                     Patricia R. Schroeder  
 Locked Behind the Proscenium :
                     Feminist Strategies in "Getting Out" and "My Sister in This House"
                          
Timothy Murray   Patriarchal Panopticism, or The Seduction of a Bad Joke : Getting Out in Theory  

SCENES FROM BETH HENLEY'S [CRIMES OF THE HEART ]

                    Beth Henley : Her Major Works

                        ÇлýÆäÀÌÆÛ Æä¹Ì´Ï½ºÆ®ÀÇ ÀÔÀå¿¡¼­ º» ¼¼ÀÚ¸ÅÀÇ ÀھƽÇÇö : Beth Henley's [Crimes of the Heart]
                        ¿µ¹ÌÈñ°îÀÔ¹® 1996. 6 ¼­¿ï½Ã¸³´ëÇб³ ¿µ¹®Çаú 99561015 ¿À°æ¼®

                        Çлý ÆäÀÌÆÛ ¹Ú¼Ò¿µ : Beth HenleyÀÇ Crimes of the Heart : Àνİú º¯È­

Beth Henley  The Debutante Ball ÅäÀÇ  - 7°­ 2/6
                                           
Beth Henley : Her Major Works
                                           Beth Henley : An Interview with Her
                  
°¡ºÎÀåÀûÀΠƲ¾È¿¡¼­ ÀϾ´Â ¿©¼ºÀÇ ÀÚ¾Æ ÀÎ½Ä : Beth HenleyÀÇ ¿¬±Ø ¼¼°è  ÀÌÀºÈñ (¼­¿ï½Ã¸³´ë ¼®»ç°úÁ¤ ÆäÀÌÆÛ)

                  CASE #3 [°³ÀÎÀûÀÎ ¿¬±Ø]  - 7°­ 4/6, 5/6

 


4¿ù 14ÀÏ(¸ñ)   Video Show : Marsha Norman's ['night Mother] &
                    Beth Henley's [
Crimes of the Heart]

                    ['night Mother] & [Crimes of the Heart] ÅäÀÇ


4¿ù 19ÀÏ(È­)   FEMINIST REREADINGS  INTRODUCTION  -- ¿ä¾à°ú ÅäÀÇ:


4¿ù 21ÀÏ(¸ñ)   FEMINIST REREADINGS PART Two  Arthur Miller -- ¿ä¾à°ú ÅäÀÇ:

¼¼¹Ì³ª ÀÏÁ¤ È®Á¤ ¹× Áغñ


4¿ù 26ÀÏ(È­) Àå¸é ½Ç½À:  [Striptease] ÅäÀÇ
Peter Brook's [The Empty Space] Part One --¿ä¾à°ú ÅäÀÇ:

Arthur Kopit -- Indians      Amiri Baraka  --  The Dutchman


4¿ù 28ÀÏ(¸ñ) Peter Brook's [The Empty Space] Part  Two --¿ä¾à°ú ÅäÀÇ:


5¿ù 03ÀÏ(È­) Àå¸é ½Ç½À

Hwang, David Henry  M. Butterfly  / FOB
                            Mamet, David -- Oleanna / Duck Variation / Woods


5¿ù 05ÀÏ(¸ñ) ¾î¸°ÀÌ ³¯ °øÈÞÀÏ (OFF)


5¿ù 10ÀÏ(È­) ¼¼¹Ì³ª Áغñ ¹× ÅäÀÇ

Durang, Christopher SISTER MARY IGNATIUS EXPLAINS IT ALL FOR YOU ÅäÀÇ


5¿ù 12ÀÏ(¸ñ) Àå¸é ½Ç½À;    Brook Chapter Four --¿ä¾à°ú ÅäÀÇ:
¼¼¹Ì³ª One (¿µ±¹Èñ°î) HAROLD PINTER

      A Kind of Alaska  / The Dumbwaiter / The Homecoming /
     The Caretaker / The Birthday Party / No Man's Land / The Betrayal
     One for the Road / The Homecoming / Mountain Language /
     Old Times /   
A Memo on Harold Pinter's The Dumbwaiter 

The Absurdity of Dread: Pinter's The Dumb Waiter

   CHARLES A. CARPENTER

 

The Dumb Waiter : Pinter's Play with the Audience
    THOMAS F. VAN LAAN

 

The Dumb Waiter : Undermining the Tacit Dimension   AUSTIN  E. QUIGLEY

 

Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] ¸Þ¸ð Harold Pinter's The Dumb Waiter

´ý¿þÀÌÅÍ ±¹¹®´ëº» (ÀåÀº¼º ¹ø¿ª)

´ý¿þÀÌÅÍ ±¹¹®´ëº» (À±¿µ¼± ¹ø¿ª)

THE DUMB WAITER  by Harold Pinter ¿µ¹®´ëº»

Çì·Ñµå ÇÉÅÍ í [´ý ¿þÀÌÅÍ] ·ù¿µ±Õ¹ø¿ª (Àå¸é ´ë»ç)

 

Çì·Ñµå ÇÉÅÍ í [´ý ¿þÀÌÅÍ] (Àå¸é ´ë»ç)

 

<REVIEW> Harold Pinter's The Caretaker

 

´ë»çtext¿Í ¹Ø´ë»çsubtex ±×¸®°í [´ëº» Àбâ]°¡ ¾Æ´Ñ [´ë»ç ¸»Çϱâ] : Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] Àå¸é

 

±èÅÂÇüÀÇ ¹ßÇ¥ : Harold PinterÀÇ Mountain Language¿¡ ³ªÅ¸³­ ¾ð¾îÀÇ ±â´É
Çì·Ñµå ÇÉÅÍÀÇ [Homecoming] Âü°íÀÚ·á
Çì·Ñµå ÇÉÅÍÀÇ [´ý ¿þÀÌÅÍ] Âü°íÀÚ·á
THE DUMB WAITER  by Harold Pinter ¿µ¹®´ëº»
THE DUMB WAITER  by Harold Pinter ±¹¹®´ëº» (¹ø¿ªÁß)


5¿ù 17(È­)  ¿¹ºñ½Ã°£ ¼¼¹Ì³ª Áغñ  
FEMINIST REREADINGS
 Part Four Edward Albee -- ¿ä¾à°ú ÅäÀÇ:


5¿ù  19ÀÏ(¸ñ) ¼¼¹Ì³ª Two (À¯·´Èñ°î) EUGENE IONESCO
Eugene Ionesco ÅäÀÇ --
Bald Soprano       The Lesson    A Scene from Bald Soprano
Schechner, Richard
The Bald Soprano and The Lesson : An Inquiry into Play Structure


5¿ù 24ÀÏ(È­) ¿¹ºñ½Ã°£ ¿µÈ­ÅäÀÇ : [Subverted Vision of Reality]  
Also Read
  
VISUAL PLEASURE AND NARRATIVE CINEMA   LAURA MULVEY

'³²¼ºÀû ÀÀ½Ã'(The Male Gaze)¿¡ ´ëÇÑ ¸Þ¸ð (Daniel ChandlerÀÇ Notes of 'The Gaze'ÀÇ ¿ä¾à)
·Î¶ó ¸»ºñÀÇ ¿µÈ­°ü°´·Ð Laura Mulvey on Film Spectatorship

Laura Mulvey & Gaylyn Studlar


5¿ù 26ÀÏ(¸ñ)

Brook [EMPTY SPACE] Chapter Three --¿ä¾à°ú ÅäÀÇ: ¹ßÇ¥ÀÚ : ±èÁ¤¹Ì, ¹Ú±â´ö, À±¼±Èñ

FEMINIST REREADINGS OF MODERN AMERICAN DRAMA Part Four ¿ä¾à¹ßÇ¥

¼¼¹Ì³ª Three(¿µ±¹Èñ°î) TOM STOPPARD

Àå¸é ½Ç½À;   

Tom Stoppard
Stoppard
Artists Descending the StaircaseRosencrantz and Guildenstern Are Dead  Âü°íÀÚ·á / Rosencrantz and Guildenstern Are Dead  ±¹¹®´ëº»/  The Real Thing /  Jumpers/ Travesties / Squaring the Circles / Arcadia /
A Memo on
Every Good Boy Deserves Favour  
Âü°íÀÚ·á :   Robert Egan , A THIN BEAM OF LIGHT:  THE PURPOSE OF PLAYING  IN ROSENCRANTZ  AND GUILDENSTERN ARE DEAD (/TJ, March 1979 pp. 59-67)

5¿ù 24ÀÏ(È­) ¿¹ºñ½Ã°£ ¿µÈ­ÅäÀÇ : [Subverted Vision of Reality]  Also Read Laura Mulvey & Gaylyn Studlar

Brook [EMPTY SPACE] Chapter Three --¿ä¾à°ú ÅäÀÇ:


5¿ù 26ÀÏ(¸ñ) ¼¼¹Ì³ª Three(¿µ±¹Èñ°î) TOM STOPPARD

Àå¸é ½Ç½À;   

Tom Stoppard
Stoppard
Artists Descending the Staircase / Rosencrantz and Guildenstern Are Dead /  The Real Thing /  Jumpers/ Travesties / Squaring the Circles / Arcadia /
A Memo on
Every Good Boy Deserves Favour  
Âü°íÀÚ·á :   Robert Egan , A THIN BEAM OF LIGHT:  THE PURPOSE OF PLAYING  IN ROSENCRANTZ  AND GUILDENSTERN ARE DEAD (/TJ, March 1979 pp. 59-67)


5¿ù 31ÀÏ(È­) Àå¸é ½Ç½À Áß°£¹ßÇ¥

Brook [EMPTY SPACE] Chapter Four --¿ä¾à°ú ÅäÀÇ:


6¿ù 02ÀÏ(¸ñ) ¿¹ºñ½Ã°£ FEMINIST REREADINGS PART Three Tennessee Williams -- ¿ä¾à°ú ÅäÀÇ:


6¿ù 07ÀÏ(È­) Àå¸é ½Ç½À ¹ßÇ¥


6¿ù 09ÀÏ(¸ñ) ¼¼¹Ì³ª Four(¿µÈ­ÆäÀÌÆÛ)


6¿ù 14ÀÏ(È­) Àå¸é ½Ç½À ¹ßÇ¥


6¿ù 16ÀÏ(¸ñ) ¼¼¹Ì³ª Five(Çѱ¹Èñ°î#01)

Çѱ¹Èñ°î ÀÚ·á Modern KOREAN Drama 

<Çѱ¹ Èñ°î ´ëº» ¸ðÀ½>

Àå¸é ½Ç½À ´Ü¸·±Ø ½Ç½À Àå¸é ¸ðÀ½

             ÃÖÀÎÈÆ :[¿¾³¯ ¿¾Àû¿¡...] [º½ÀÌ ¿À¸é...] [Çѽº¿Í ±×·¹ÅÚ]

         ÃÖÀÎÈÆ  [When Spring Comes to Hills and Dales][º½ÀÌ ¿À¸é »ê¿¡ µé¿¡]
                     [
Shoo-oo shoo Once Upon A Time] [¿¾³¯¿¾Àû¿¡ È̾îÀÌ ÈÌÀÌ]  
                      [
Hans & Gretel] [Çѽº¿Í ±×·¹ÅÚ]

           ¿Àż® [ÃʺÐ]-[ÃʺÐ] Çؼ³ [ÀÚÀü°Å] [ÀÚÀü°Å]¸Þ¸ð  [·Î¶ó½ºÄÉÀÌÆ®¸¦ Ÿ´Â ¿À¶Ñ±â]
                   [
õ³âÀÇ ¼öÀÎ] [¾ÆÇÁ¸®Ä«] [ºÎÀÚÀ¯Ä£] [À¯´Ù¿©, ´ßÀÌ ¿ï±âÀü¿¡]
                   [
½ÉûÀ̰¡ ÀÓ´ç¼ö¿¡ µÎ ¹ø ¸öÀ» ´øÁø ±î´ßÀº]
                   
[ÃádzÀÇ Ã³] [ÅÂ]

              À̰­¹é [°áÈ¥] ; À̰­¹éÀÇ [°áÈ¥] ¿µ¹®´ëº» [The Marriage] [ÆÄ¼ý²Û]

 


6¿ù 21ÀÏ(È­) Àå¸é ¹ßÇ¥


6¿ù 23ÀÏ(¸ñ) ¼¼¹Ì³ª Six (Çѱ¹Èñ°î#02)

Çѱ¹¿¬±Ø  ÅäÀÇ ¸Þ¸ð

À±´ë¼º [½ÅÈ­ 1900]-[½ÅÈ­1900] ¸Þ¸ð [Ãâ¼¼±â] [³ëºñ¹®¼­] [Ãâ¹ß]

ÀÌÀ±Åà [¿À±¸]

À̸¸Èñ [±×°ÍÀº ¸ñʱ¸¸Û ¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.] [ºÒ Á» ²¨ÁÖ¼¼¿ä] [¾Æ¸§´Ù¿î °Å¸®]

À̸¸Èñ [±×°ÍÀº ¸ñʱ¸¸Û¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.]

Á¶±¤È­ [³²ÀÚÃæµ¿] -- [³²ÀÚÃæµ¿] ¸Þ¸ð   [»ç¶÷µéÀº »ý¼±°ú ¼Ò¹®À» Áñ±ä´Ù ]

À±´ë¼º [½ÅÈ­ 1900]

Çѱ¹¿¬±Ø  ÅäÀÇ ¸Þ¸ð      ÀÌÇöÈ­ [ºÒ°¡ºÒ°¡] [0.917] [Ä«µ§Â¥]  
                           ÀÌÇöÈ­  [
ºÒ°¡ºÒ°¡]  [Ä«µ§ÀÚ]  [0.917]

                        ÀÌÇöÈ­ÀÇ [Ä«µ§Â¥] [ºÒ°¡ºÒ°¡] [Ä«µ§Â¥] [0.917] [´©±¸¼¼¿ä] [¿À½ºÆ®¶óŰ½º¸ð½º] [½¬-½¬-½¬-ÀÕ]
                                    [
»ê¾Ä±è] [۸®¿¡ - À§´ëÇÑ À§Áõ] [¾È°³] [Ä«µ§ÀÚ 90] [ÈÞ°¡Æ¯¸í]


6¿ù 28ÀÏ(È­) Àå¸é ¹ßÇ¥
FEMINIST REREADINGS
PART Five  Sam Shepard -- ¿ä¾à°ú ÅäÀÇ:


6¿ù 30ÀÏ(¸ñ) ¼¼¹Ì³ª Seven (¹Ì±¹Èñ°î#01) Sam Shepard


7¿ù 05ÀÏ(È­) Àå¸é ¹ßÇ¥


7¿ù 07ÀÏ(¸ñ) ¼¼¹Ì³ª Eight (¹Ì±¹Èñ°î#02) Edward Albee






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Albee, Edward --The Zoo Story    Three Tall Women  

Glaspell, Susan --Trifles

Kopit, Arthur -- Indians  The Day the Whores Came Out to Play Tennis

Howie, Tina  Painting Churches

Hwang, David Henry  M. Butterfly  / FOB

Mamet, David -- Oleanna / The Shawl / Prairie Du Chien / Redwood Curtain

Shepard, Sam --True West /  Geography of a Horse Dreamer / Fool for Love  /
   A Lie of the Mind / La Turista / The Tooth of Crime / Operation Sidewinder
          
A Memo on True West   
          
Sam ShepardÀÇ Èñ°î¿¡ ³ªÅ¸³ª´Â À̹ÌÁöµéÀÌ °®´Â ±ØÀû ±¸¼º»óÀÇ ±â´É 
          
Sam ShepardÀÇ Angel City¿¡ Åõ¿µµÈ ¿µÈ­»ê¾÷ÀÇ ÀÚ°¡´çÂø
         È¯»ó°ú Çö½ÇÀÇ Àüµµ(ï´Óî) : »ù ¼ÎÆÄµå (Sam Shepard)ÀÇ Fool for Love    

Rabe, David  Streamers

Wilson, Lanford -- Talley's Folly / 5th of July / Redwood Curtain /
                            Hot L Baltimore / Lemon Sky
 

Wilson, August --Piano / Ma Rainey's Black Bottom / Fences /
                           Joe Turner's Come and Gone / Two Trains Running

 

¿µ±¹Èñ°î:

Beckett, Samuel Endgame / Waiting for Godot / Krapp's Last Tape

Stoppard, Tom  Rosencrantz and Guildenstern Are Dead /  The Real Thing
        
Jumpers/ Travesties / Squaring the Circles / Arcadia /
        Artists Descending the Staircase
/
  
Robert Egan , A THIN BEAM OF LIGHT:  THE PURPOSE OF PLAYING
   IN ROSENCRANTZ AND GUILDENSTERN ARE DEAD (/TJ, March 1979 pp. 59-67)

Pinter, Harold A Kind of Alaska  / The Dumbwaiter / The Homecoming /
     The Caretaker / The Birthday Party / No Man's Land / The Betrayal
     One for the Road / The Homecoming / Mountain Language /
     Old Times /    

Pinter's One-Act  Play  The Dumbwaiter (¿µ¹®´ëº»)
REFERENCES ON
THE DUMBWAITER :
    
pin01c.gifA Memo on Harold Pinter's The Dumbwaiter 
    
pin01c.gifCARPENTER CHARLES A.   The Absurdity of Dread: Pinter's The Dumb Waiter
    
pin01c.gifQUIGLEY,  AUSTIN  E.     The Dumb Waiter : Undermining the Tacit Dimension
    
pin01c.gifVan Laan, Thomas F.     The Dumb Waiter : Pinter's Play with the Audience 

 

Storey, David  The Room

Shaeffer, Peter The Black Comedy /The Royal Hunt of the Sun  / Equus

Pielmier, John  Agnes of God

                         The Elephant Man

Churchill, Caryl Top Girls / Cloud Nine

Durang, Christopher SISTER MARY IGNATIUS EXPLAINS IT ALL FOR YOU

Bond,  Edward   Saved  /  The Ruling Class /  The Woman / The Worlds

Barnes, Peter  

Friel Brian  Molly Sweeney

Wertenbaker, Timberlake Our Country's Good

±âŸ :

Ionesco, Eugene Lesson  /  Bald Soprano

A Scene from Bald Soprano
Schechner, Richard
The Bald Soprano and The Lesson : An Inquiry into Play Structure

·¯½Ã¾Æ/½î·Ã Èñ°î :

Schwarz, Eugene  The Dragon, The Shadow

Vampilov, Alexsandr   Last Summer in Chulimsk

Çѱ¹Èñ°î:

ÃÖÀÎÈÆ  [º½ÀÌ ¿À¸é »ê¿¡ µé¿¡] [¿¾³¯ ¿¾Àû¿¡ È̾îÀÌ ÈÌÀÌ] [Çѽº¿Í ±×·¹ÅÚ]
ÀÌÇöÈ­ÀÇ [
Ä«µ§Â¥] [ºÒ°¡ºÒ°¡] [Ä«µ§Â¥] [0.917] [´©±¸¼¼¿ä]
[
¿À½ºÆ®¶óŰ½º¸ð½º] [½¬-½¬-½¬-ÀÕ] [»ê¾Ä±è] [۸®¿¡ - À§´ëÇÑ À§Áõ] [¾È°³]
[
Ä«µ§ÀÚ 90] [ÈÞ°¡Æ¯¸í]

À̰­¹é [°áÈ¥]
À±´ë¼º [
½ÅÈ­ 1900]

À̸¸Èñ [±×°ÍÀº ¸ñʱ¸¸Û¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.]
À̰­¹éÀÇ [¿µ¿ùÇà Àϱâ]¿Í ¿Àż®ÀÇ [ÅÂ]
  

 

¿µÈ­ ÆäÀÌÆÛ Âü°í ¿µÈ­ ¼Ò°³ :

 

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¡®¼º°ø ¿©¼º¡¯ÀÇ °í³ú, ³Ê¹«³ª ³¸¼±.... : What Women Want
[¿µÈ­ ¸®ºä] SF·Î º¸´Â ¹Ì·¡ '2001 ½ºÆäÀ̽º¿Àµ÷¼¼ÀÌ' 
'žçÀº °¡µæÈ÷' ¸®¸ÞÀÌÅ© '¸®Çø®'
Drama Films
  
One Flew Over the Cuckoo's Nest (1975) / The Wild One (1953), / Rebel Without a Cause (1955). Bad Day At Black Rock (1955) /The Defiant Ones (1958), / In the Heat of the Night (1967), / On the Waterfront (1954). / Taxi Driver (1976) /t

Courtroom legal dramas:The Caine Mutiny (1954) / Inherit the Wind (1960), / To Kill a Mockingbird (1962),

Political dramas : Mr. Smith Goes to Washington (1939). / All the King's Men (1949). / The Manchurian Candidate (1962)

Dramatic films centered around the theme of journalism :Network (1976), The Lost Weekend (1945) / The Grapes of Wrath (1940).

Assignments:
ÆäÀÌÆÛ : ÇбâÁß (A4 6¸Å ÀÌ»ó 10¸Å ¹Ì¸¸)  2°³ÀÇ ÆäÀÌÆÛ¸¦ ÀÛ¼º (°ú¸ñ¸í, ´ã´ç±³¼ö, ¼º¸í, Çйø, Á¦ÃâÀÏÀÚ µîÀ» ¹Ýµå½Ã ¸í±â) 12¿ù 20ÀϱîÁö ÃÖÁ¾¿ø°í¸¦ ȨÆäÀÌÁö [°úÁ¦¹° Á¦Ãâ¶õ]¿¡ ¿Ã¸±°Í.  ´ã´ç±³¼öÀÇ ¼öÁ¤À» 2¹øÀÌ»ó   °ÅÄ£ÈÄ ÃÖÁ¾¿ø°í¸¦ Á¦ÃâÇÏ´Â °ÍÀÌ ÁÁ°ÚÀ¸³ª ÀÌ´Â °­Á¶ »çÇ×ÀÏ»Ó °­¿ä»çÇ×ÀÌ ¾Æ´Ô. ¼¼¹Ì³ª ¹ßÇ¥Àü¿¡ ´Ù¸¥ ÇлýµéÀÌ ÀÐÀ» ¼ö ÀÖµµ·Ï ÃÖ¼ÒÇÑ 3ÀÏÀü¿¡ ÆäÀÌÆÛ¸¦ ¹Ì¸® ȨÆäÀÌÁö¿¡ ¿Ã·ÁÁÖ¼¼¿ä.
´Ù¸¥ ÇлýµéÀº ȨÆäÀÌÁö¿¡ ¿Ã¶ó¿Â ¹ßÇ¥¿ø°í¸¦ ¼¼¹Ì³ª ¹ßÇ¥Àü¿¡ ¸ðµÎ Àаí Åä·Ð  Áغñ¸¦ ÇØÁÖ¼¼¿ä.

¼ºÀûºñÀ² :   Áß°£   ÆäÀÌÆÛ (30%), ±â¸» ÆäÀÌÆÛ(30%), ¿µÈ­ ¹ßÇ¥ #3 (20%), ¿ä¾à(10%), ½Ç½À(10%)

°­ÀÇÀÚ·á½ÇÀÇ Samples of Students Paper¸¦ Âü°íÇÒ °Í.  


¿µ¹Ì¹®ÇкñÆò  ¿µÈ­°ü·Ã ½ÎÀÌÆ® ¸µÅ© ¿µ¹® 3 [Èñ°î II]  ·ù¿µ±ÕÀÇ Ä³³ª´ÙÀÚ·á½Ç

Âü°íÀÚ·á :
  
Geoffrey S. Holister  Comment In praise of modelling
 
  Richard Dutton Part One
¡¡Albee's Which Theatre Is the Absurd One? ¿ä¾à¹ßÇ¥ °ßº»
 
  Akira Kurosawa  Rashomon ´ëº»
     
  ·ù³ë½º²² ¾ÆÄí´Ù°¡¿ÍÀÇ ´ÜÆí ¼Ò¼³ In a Grove & Rashomon
    
Beckett's dramaticule  Come and Go ¿µ¹®´ëº»
    
Eugene Webb on Beckett's Come and Go
    Beckett's Krapp's Last Tape ¿µ¹®´ëº»
Beckett : Samuel Beckett's Waiting for Godot °ü±ØÆò
 
  Samuel Beckett°¡ ¾´ µÎÆíÀÇ ¸¶ÀÓ±Ø:
    
Act Without Words I  &   Act Without Words II ¡¡
    
Eugene Webb, Two Mimes : Act Without Words I   and  Act Without Words II

 

  1. °­ÀÇÁß ÅäÀÇ¿ë ºÎ±³Àç #1 :  
      
Dutton, Richard   Modern Tragicomedy and the British Tradition,   
        The Havard University Press, 1986.
 
       
 PART I : Tragicomedy
        PART II : Waiting for Godot by Samuel Beckett
        PART III : Individual Articles  
        IN CONCLUSION   

  2. °­ÀÇÁß ÅäÀÇ¿ë ºÎ±³Àç # 2 :
      Peter BrookîÊ   
The Empty Space
       Á¦ 1Àå Ä¡¸íÀû Á×Àº ¿¬±Ø
      
Á¦ 2Àå ¼º½º·¯¿î Á¦ÀÇ ¿¬±Ø
      
Á¦ 3Àå °ÅÄ£ ´ëÁß ¿¬±Ø
      
Á¦ 4Àå ÁïÈïÀû/Á÷Á¢Àû ¿¬±Ø
  

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À̹ø Çб⿡ ÀÐÀ» ÀÛǰµé :
Samuel Beckett   Waiting for Godot
Samuel Beckett  Endgame  & Krapp's Last Tape

Stoppard  Squaring the Circles

Shepard Fool for Love  ; A Lie of Mind

Pinter A Kind of Alaska  ;   One for the Road ; Mountain Language

Albee Three Tall Women

Shaeffer The Black Comedy  The Royal Hunt of the Sun

Greek Drama :
SophoclesÀÇ Antigone
EuripidesÀÇ Med
ia

Medieval Drama :

The Second Shepard's Play

Korean Drama :
ÃÖÀÎÈÆ  [
When Spring Comes to Hills and Dales][º½ÀÌ ¿À¸é »ê¿¡ µé¿¡]
            [
Shoo-oo shoo Once Upon A Time] [¿¾³¯¿¾Àû¿¡ È̾îÀÌ ÈÌÀÌ]  
            [
Hans & Gretel] [Çѽº¿Í ±×·¹ÅÚ]
À̰­¹é [
°áÈ¥] ; À̰­¹éÀÇ [°áÈ¥] ¿µ¹®´ëº» [The Marriage]
ÀÌÇöÈ­  [
ºÒ°¡ºÒ°¡]  [Ä«µ§ÀÚ]  [0.917]
À±´ë¼º [
½ÅÈ­ 1900]
À̸¸Èñ [
±×°ÍÀº ¸ñʱ¸¸Û¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.]

Russian Drama :
Victor Rozov  
Alexandr Vampilov

Anton Chekhov :  The Three Sisters

¼ö°­Çлý ¸í´Ü ¹× ¿ä¾à ÅäÀÇ »çȸÀÚ :
Dutton Part One --
¿Àº´ÀÏ; Part Two --À¯Çý¹Î; Dutton Part Three --¼ÛÈ«±Ô
Empty Space Chapter One --À±¸íÈñ;  Chapter Two --ÀÌ¿ø½Ä  
               
Chapter Three --À̽¾Ö; Chapter Four--±èÇüÅ  

¼¼¹Ì³ª ¹ßÇ¥ ¿¹Á¤ ÀÛǰ:
À̽¾Ö:Pinter A Kind of Alaska ; ÀÌÇöÈ­ÀÇ [Ä«µ§Â¥]
¼ÛÈ«±Ô:Pinter, One for the Road  ; À̰­¹é [°áÈ¥]
ÀÌ¿ø½Ä:Stoppard Artists Descending the Staircase ; Chekhov's The Three Sisters
¿Àº´ÀÏ:Shaffer Black comedy ; Vampilov's Last Summer in Chulimsk
À±¸íÈñ:Shepard Fool for love ;
À̸¸Èñ [±×°ÍÀº ¸ñʱ¸¸Û¼ÓÀÇ ÀÛÀº ¾îµÒÀ̾ú½À´Ï´Ù.]
À¯Çý¹Î:Albee's Three Tall Women  À̰­¹éÀÇ [¿µ¿ùÇà Àϱâ]¿Í ¿Àż®ÀÇ [ÅÂ]
 

Waiting for Godot °ø¿¬°ü¶÷ ´ëº» ÀÐÀ» °Í
Samuel Beckett°¡ ¾´ µÎÆíÀÇ ¸¶À ÅäÀÇ:
  
Act Without Words I  &   Act Without Words II ¡¡¡¡
Eugene Webb, Two Mimes : Act Without Words I     and   Act Without Words II Àаí Âü°íÇÒ °Í.  

Akira Kurosawa  Rashomon ´ëº»

Àå¸é ½Ç½À Waiting for Godot: EndGame & Krapp's Last Tape
Beckett's dramaticule  Come and Go 

Àå¸é ½Ç½À Beckett's dramaticule  Come and Go

Çѱ¹Èñ°î (ºÏÇÑÈñ°î ¹ßÇ¥µµ °¡´É) ÅäÀÇ